"FOOTLOOSE is not an easy show since it demands strong acting as well as energetic dancing and good voices. Director Paul Russell has done well." *
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Love. Fear. Insecurity. Acceptance.
Footloose: When I was first approached with directing the movie-turned stage spectacle my enthusiasm for the scripted product was less than enthusiastic. I had never seen the film prior, and I avoided the musical adaptation, but I was very aware of the dismal, critical press response the stage adaptation received. From that, I took blind prejudice against Footloose, The Musical.
Note to self: Never let assumptions provide your opinions. Such is Footloose. |
After having read the script, looking beyond the flaws of the musical itself, my attention was caught by the people and the story at the heart of the work. This was not just a simplistic story about a ban on dancing. I discovered a personal connection, a familiar tale of people coping with change, having beliefs challenged and/or questioned, and acceptance of things new. Having been a transplant myself, many, many times into numerous small town communities across this country, several being my own Bomont (the fiction town for Footloose) I knew these people. I knew them well. The citizens of Bomont grabbed me. Most prominently Reverend Moore and Ren. My interest was further peaked by the personal survival stories of Ethel and Vi, and the frustration and loneliness of Ariel.
The fictional town and people of Bomont, located in what is now politically termed as a “Red state”, is Bible-Belt-Americana personified. While all observers of such a place and people may not share the social and political views of the citizens of Bomont and places like it, the principles of the people of Bomont are equally honest and noble in heart as are those with opposing beliefs. |
Often convictions of reserved, conservative values believed righteous and correct by the holders stem from love, fear and insecurity. And those three words are the heart of Footloose, enveloped by acceptance.
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With my passion for moving shows quickly (often putting them literally on wheels) Footloose with its multiple rolling stair cases and units let the action flow seamlessly. This production relied heavily on projections (of which this director designed). Many films, music-video backdrops, animations and still shots mirrored or enhanced the themes and emotion within the story. The projections also offered visual commentary. So much so at times, that it seemed as if we had another character on the stage; the projection surface. Not only as observer, and narrator, but as an active participant. The creation of all films and other projections was a laborious love that lasted more than six, long months. |
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Additional highlighted productions:
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Plays-In-The-Park
Sound Design
Chris Wooley
Lighting Design
Roman Klima
Costumes Design
Cindy Capraro
Scenic Design
Gary P. Cohen
Projection Design
Paul Russell
Stage Manager
Dina O'Brien
Asst. Director
Trent Van Doren
Musical Director
Joe Elefante
Choreographer
Bernadette M. Baron
Director
Paul Russell
- Cast -
Ren
Billy Piscopo
Ariel
Samantha Hahn
Rev. Moore
Bruce Clough
Vi Moore
Susan Dougherty
Ethel McCormick
Nancy McBride
Willard
Adam Arnold
Chuck
Jon Rua
Rusty
Erica Wilpon
Urleen
Cassie Carelli
Wendy Jo
Kimberly Apadula
Wes
Howard Fisher
Lulu
Barbara Hendrickson
Eleanor
Jen Hanselman
Coach Dunbar
Kent Sweeney
Betty Blast
Melissa Derfler
Principal Clark
Victor Miller
Irene
Robyn Bloom
Company
Russell Pinto, Marc Schlesinger, Jeff Fiorello, Jason Grauerholtz, Blake Segal, Heather Favretto, Joe Furio, Jarret Lipman, Michael Bellini, Daniel McGuire, Danielle Mondi, Casey Muha, Jason Noah, Anthony Ong, Christina Rak & Beth Tarnow |
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